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Ordway’s “Sound of Music” summons old-world charm
Based on a true story, The Sound of Music tells the story of Maria Von Trapp, a young postulate at an Austrian abbey just before World War II who is sent to be governess for the seven children of widower Georg Von Trapp. Maria uses her love of music to bring joy back first to the…
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Sheep Theater is Totally a Thing Now
Why Sheep? “I like to paint,” said Joey Hamburger, sitting at the Spyhouse on Nicollet on Tuesday night. “Every time I paint it starts with a sheep, so I have a lot of paintings of sheep.” Hence, Sheep Theater. “There’s a lot of effort people put into names,” said Iris Page, sitting next to Joey.…
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20% Theatre Company Twin Cities Brings Stereotypes To Heel With “Femmes: A Tragedy”
Gina Young’s 2013 play Femmes: A Tragedy has a clever, subversive premise. Young reimagines Clare Booth Luce’s 1936 play The Women — a comedy of manners portraying heterosexual relationships as a battle both within and between the sexes — as a contemporary story about lesbians who are femme, or, more precisely in one case, a “non-identifying polyamorous genderqueer who…
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5 Fun Ideas for Those Thanksgiving Leftovers!
Happy end of the beginning of the holidays, readers! The extended family has gone home, all your cleverest strategic hiding spots for bottles of booze around the house have been depleted, and you’ve got a refrigerator full of enough food to feed four more families. Here are some fun and clever ideas on how to…
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Choreographers’ Evening 2015: Walker Art Center Put the Dada in Dadance
There’s always a certain conceptual flavor to the Choreographers’ Evening — this is the Walker Art Center, after all — but this year’s collection of dances were, even more than usual, about freeing your body by freeing your mind. In some of the pieces, in fact, there was hardly any movement at all. Curated, with a warm eye…
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Guthrie Theater’s “Cocoanuts” Reheats the Marx Brothers
There’s an undeniable energy to the Guthrie Theater’s Cocoanuts — but I was left wondering whether there mightn’t have been a more interesting use of that energy than uncritically trotting the Marx Brothers out. The first family of vaudeville continue to feel contemporary both because of their anarchic zest and because their antics were well-documented on film, but 1925…